BODY PARTS traces the evolution of "sex" on-screen from a woman’s perspective, uncovering the uncomfortable realities behind some of the most iconic scenes in cinema history and celebrating the bold creators leading the way for change.

 

Official Trailer

More To Talk About

In this MORE TO TALK ABOUT conversation, filmmakers Kristy Guevara-Flanagan and Helen Hood Scheer, alongside Dr. Stephane Dunn (Cultural Critic, Filmmaker, & Author of SNITCHERS & Baad Bitches & Sassy Supermamas) and host Andrea Ambam, dive into the making of BODY PARTS and explore their visions for the culture-shifting conversations and progressive action that BODY PARTS can bring to the entertainment industry and beyond.

Stream BODY PARTS Today!

 

MEET THE TEAM

Director

  • Kristy Guevara-Flanagan is an Associate Professor at UCLA’s School of Theatre, Film and Television where she heads the MFA Directing Documentary concentration. Her most recent short film Águilas (co-directed with Maite Zubiaurre; SXSW, PBS, The New Yorker), about a group of volunteers who help recover bodies of missing migrants crossing the border, was short-listed for the 2022 Academy Awards. Kristy has been making award-winning documentary films that focus on gender and representation for over two decades. Her debut feature, Going on 13 (co-directed with Dawn Valadez, 2009), covering four years in the lives of four adolescent girls premiered at the Tribeca Film Festival and was broadcast on PBS. Her follow-up feature, Wonder Women! The Untold Story of American Superheroines (2013), traces the evolution of the comic book hero Wonder Woman as a way to reflect on society’s anxieties about women’s liberation. Starring Lynda Carter, Lindsay Wagner, and real-life superheroines such as Gloria Steinem and Kathleen Hanna (Bikini Kill, Le Tigre), the film garnered numerous awards, premiered at the South by Southwest Film Festival and was broadcast on the PBS series Independent Lens in 2013. Her short, What Happened to Her (2016) explores our cultural obsession with images of the dead woman on screen and premiered at Hot Docs, where it received an honorable mention for best short. Kristy’s work has been funded by ITVS, the Sundance Institute, Fork Films, the International Documentary Association, Latino Public Broadcasting, and California Humanities. Many of her films are currently in educational distribution with Women Make Movies.

 

Producer

  • Helen Hood Scheer is an documentary filmmaker, freelance producer, and Associate Professor at California State University Long Beach, where she spearheads the Creative Nonfiction program. Documentaries that Helen has directed/produced/shot/edited have screened at over 100 venues including Hot Docs, Doc NYC, True/False, The National Gallery of Art, and the U.S. Department of State’s American Film Showcase. She has also produced or served as archival producer on several documentaries for other directors that have been broadcast on HBO, PBS, ABC, A&E and National Geographic. She made her directorial debut with JUMP!, an award-winning documentary feature film about competitive jump rope that screened at over 75 film festivals and was acquired by Showtime. Helen also made several acclaimed short films including The Apothecary, which won the Student Academy Award and both Jury and Audience Recognition at the Aspen Shorts Fest. She served as consulting producer on For Madmen Only (SXSW 2020), archival producer on In Country (Full Frame’s Garrett Scott Award Winner), and consulting producer on Landfill Harmonic (SXSW’s 24 Beats Per Second Award). Helen recently won the Advancement of Women Award from the CSULB President’s Commission on the status of women for her instructional, creative, and service activity. Her work has been funded by Sundance, California Humanities, International Documentary Association, Level Forward, and more. Helen earned a BA with highest honors in American Studies and a minor in History from University of California Santa Cruz and a M.F.A. in Documentary Film and Video from Stanford University.

 

Key Collaborators

  • Level Forward is an ecosystem of storytellers, entrepreneurs, and social change-makers balancing artistic vision, social impact, and stakeholder return. We work on project and industry levels to expand the access and opportunity of creative excellence in pursuit of equity and economic transformation, by developing, producing, financing, and distributing entertainment for screen and stage. Films include Body Parts, The Year Between, The Big Payback, The Assistant, Holler, Rebel Hearts, Topside, You Resemble Me; and on stage, the Tony-nominated POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive, What the Constitution Means to Me, Tony-winner Oklahoma!, the most Tony-nominated play in history Slave Play, and the most Tony nominated musical of 2020-2021 Jagged Little Pill. Learn more about Level Forward and their projects at www.levelforward.co and www.moretotalkabout.com.

  • Liz Kaar worked at Kartemquin Films for over a decade. Projects she edited have been honored with Academy Award shortlist, Emmy nominations, IDA awards, and the Alfred I. duPont-Columbia Journalism Award. She recently edited The Dilemma of Desire (2021, SXSW) and co-directed/edited Hard Earned, a six-part television series for Al Jazeera America.

  • Anne Alvergue is an award-winning documentary filmmaker and editor in the greater New York area. Her editing credits include Love, Gilda and Bully. Coward. Victim: The Story of Roy Cohn, nominated for Outstanding Editing by Cinema Eye Honors. Her short films have screened at film festivals and galleries worldwide, including most recently The Martha Mitchell Effect, screening at the 2022 Sundance Film Festival.

  • Two time Emmy and Ivor Novello nominee and RTS award winning composer, Nainita Desai, is the World Soundtrack Awards 2021 winner for Discovery of the Year. Amongst various BAFTA, Oscar and Emmy acclaimed productions, Nainita’s recent projects include the hit Netflix documentary 14 Peaks executive produced by Oscar winner Jimmy Chinn for which her score earned an Emmy, HMMA and ASCAP Composer Choice nominations, Oscar 2020 nominated and BAFTA & Cannes winning feature doc For Sama, and Sundance and multi-award winning feature The Reason I Jump for which her score was nominated for an Emmy, BIFA and Cinema Eye Honors Awards.

  • Mindbomb Films is made up of artist and designers Chris Kirk and Syd Garon. They creative direct a group of talented animators and artists. Together, Chris and Syd have worked on documentaries, commercials, feature films, TV, and art installations. Past and present clients include Sony, Pepsi, Apple, Google, and PBS. With their graphics and design based approach they have worked regularly with artists such as Shepard Fairey, Marcel Dzama, Sage Vaughn and many more. Their documentary projects include: The Defiant Ones, The Way Down, Jodorowsky’s Dune, Blackfish, Wiener, Red Army, Belly of the Beast, Console Wars, Saving Capitalism, Heaven’s Gate: The Cult of Cults, Bathtubs Over Broadway, MLK/FBI, Cocaine Cowboys: The Kings of Miami, and A Glitch in the Matrix.

  • Kelly Gallagher is a filmmaker, animator, and Associate Professor of Film at Syracuse University. Her award-winning films and commissioned animations have screened internationally at venues including: Netflix, PBS, Sundance Film Festival (2019, Words from a Bear), SXSW (2018, Special Jury Prize winner Garry Winogrand: All Things Are Photographable), the Museum of Modern Art, the National Gallery of Art, the Smithsonian Institution, Anthology Film Archives, and International Film Festival Rotterdam. She has presented solo programs of her work at institutions including: SFMOMA, Close-Up Cinema London, SF Cinematheque, and Wexner Center for the Arts.

  • Ruth Ann Harnisch is a philanthropist and activist who has supported over 100 independent feature films including Academy Award winner Icarus, Unrest (Oscar short list), On the Record, The Hunting Ground, Won’t You Be My Neighbor (top grossing bio doc of all time), Trapped, Hot Girls Wanted, Audrie & Daisy, The Eagle Huntress, Roll Red Roll in addition to other films by, for, and about women. Ruth Ann is the founder and president of The Harnisch Foundation, which has over 20 years of experience working to create a fair, equitable and inclusive world by investing in effective leaders and creative communities.

  • Daniel J. Chalfen is a Peabody and DuPont-winning and multiple-Emmy nominated film and television producer and a co-founder of Naked Edge Films. His films have premiered at the world’s foremost film festivals, including Berlin, Sundance, SXSW, Toronto, and Tribeca, have been released theatrically by companies including Samuel Goldwyn Films, Participant Media, Kino Lorber, and Focus Features, and have played globally including in the US on Amazon, DirecTV, Discovery, HBO, Hulu, Netflix, Showtime, and PBS. Chalfen’s recent films include Loudmouth (Closing Night Film, Tribeca Festival 2022, executive produced by John Legend); Captains of Zaatari (Sundance 2021, Hulu); the Netflix Original Pray Away (executive produced by Jason Blum & Ryan Murphy); the 2019 Sundance award winners The Infiltrators and Always in Season; United Skates (executive produced by John Legend); Bathtubs Over Broadway (executive produced by Jason Blum & David Letterman); the GLAAD-award winner Call Her Ganda; The Feeling of Being Watched, Southwest of Salem, and Silenced (executive produced by Susan Sarandon). Chalfen is a Documentary Branch member of AMPAS and a voting member of the British Academy of Film and Television Arts (BAFTA).

  • The deNovo Initiative is a private foundation dedicated to supporting storytellers creating content and to ensure their perspectives are widely seen and heard, giving their stories the opportunity to educate, engage, and empower audiences. Recent films supported include Reid Davenport’s I Didn’t See You There, Debra Souza Silva’s Black Mothers, David Siev’s Bad Axe, and Kristy Guevara-Flanagan’s Body Parts.

PRESS

“…a riveting exploration of what is arguably the last mystery in mainstream moviemaking – the sex scene. This innovative and incisive film demystifies the process of fabricating intimacy and charts the history of the industry’s best – and worst – practices. Smart, engaging and masterfully crafted, we expect it to connect to a wide audience and change the conversation.”

DEADLINE | NOVEMBER 29, 2022


“Surefire hit for the cinephile crowd.”


“Bound to be a smash.”

CRITERION COLLECTION | JUNE 10, 2022


“Takes care to examine depictions of sex — or lack thereof — for people across racial, ethnic, gender and disability spectrums.”

HOLLYWOOD REPORTER | JUNE 14, 2022


“A revealing look … might well leave you shaken.”

 AWARDS RADAR | JUNE 2022


“One of Tribeca 2022’s best documentaries … incredibly accessible to a wide audience cinephiles and casual film fans alike … BODY PARTS is such a conversation starter. It’s nothing short of a WOW.”

REEL NEWS DAILY | JUNE 21, 2022


“Clever and damning.”


“Powerful message.”

INDIEWIRE | JUNE 16, 2022


“ …engrossing...”

ALLIANCE OF WOMEN FILM JOURNALISTS | JUNE 20, 2022


Body Parts bares it all.”

— 1010 WINS


“Enlightening.”

AIPT COMICS | JUNE 12, 2022


“Jane Fonda is a real get as an interview subject.”

THE WRAP | JUNE 12, 2022


ADDITIONAL PRESS

A.Frame Oscars - “Must-See Movies at the 2022 AFI Fest”

Deadline - Shout! Studios Takes NA Rights To ‘Body Parts,’ Documentary That Puts Cinematic Sex Scenes Under The Microscope”

Modern Times Review - “Safe Sex Scenes: Exploring the Female Body in Hollywood by Tracing the Making of Sex Scenes, the Toll it Takes on Those Involved, and What it Means for Women in the Real World.”

Women and Hollywood - ”Tribeca 2022 Women Directors: Meet Kristy Guevara-Flanagan – ‘Body Parts’”

IndieWire - “‘Body Parts’ Review: Lively Documentary Flips the Script on Women in Film, with Notes to Spare”

Criterion Cast - “Five Films to See From Tribeca 2022”

Salon - "‘Body Parts’ Examines the Labor of Movie Nudity – the Good, the Bad and the Merkins”

New York Post - ”The Dark Side of Steamy Hollywood Sex Scenes”

Wilmington Star News - “What to see at Wilmington's 28th Cucalorus Film Festival: Best movies, performances”

Filmmaker Magazine - “17 Films and VR Pieces to Anticipate at the 2022 Tribeca Festival”

San Francisco Bay Times - “Mill Valley Film Festival 2022 Showcases Some Great LGBTQ Films”

Riverfront Times - “What to Watch at the St. Louis International Film Festival”

International Documentary Association - “Double Exposure Film Festival 2022 Goes Beyond the Headlines”

Educational & Community Screenings

For educational and community screening permissions, please email us. Soon, the film will be widely available thru a prominent educational distributor, along with a free discussion guide and other ancillary materials. Until then, the filmmakers will facilitate screenings and are available for Q&As.